Find album reviews, stream songs, credits and award information for Louis Andriessen: De Stijl; Trepidus; Dances – Louis Andriessen on AllMusic – – The. The elements of De Staat’s ensemble demonstrate what Andriessen is The third, De Stijl (Style), is a boogie-woogie tone-poem inspired by. Pre-proceeding. In the movement “De Stijl” from his oratorio De Materie, Louis Andriessen adapts Piet Mondrian’s Composition with Red, Yellow and Blue .
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For Andriessen, that meant what amounted to a decades-long aversion to the sustaining line of string instruments, and an almost genetic attraction to the rhythmic power and potential of brass, winds, percussion and electric instruments — a sort of souped-up version of the kind of ensemble Stravinsky loved the best.
In an inevitably reductive nutshell, Andriessen’s music is the sound of the most fruitful of collisions between political radicalism, minimalist pulsation and European modernism; at its most profound, it’s much more than that.
Don’t bet against it, Louis; maybe Plato was right after all … Five key links De Stijl Hadewijch Workers Union De Snelheid De Volharding This article contains affiliate links, which means we may earn a small commission if a reader clicks through and makes a purchase.
Although it was written for a pre-existing group, the Netherlands Wind EnsembleDe Staat’s instrumentation which includes harps, pianos, three electric guitars and just four string-instruments — a group of violas reflects Andriessen’s years working with his own band, De Volharding Perseverance, named after another Andriessen piece.
This article contains affiliate links, which means we may earn a small commission if a reader clicks through and makes a purchase. The elements of De Staat’s ensemble demonstrate what Andriessen is on about when he says that even the lineup you choose as a composer reflects a complex cultural politics.
On one hand, De Materie is an unclassifiable hybrid of theatre, narration, singing, instrumental music and philosophical reflection.
Streams Videos All Posts. Jazz Latin New Age. And if you’re a composer who’s dissatisfied with the way the world works — or even the way the musical world works — what can your music do to comment on it, andriessn it, protest against it and possibly transform it? Introspection Late Night Partying. And having inspired a generation of Dutch composers with the violence, anger and sheer energy of pieces such as De Volharding and Workers UnionAndriessen’s music has seemed andriesaen take a surprising turn towards a more conventional expression and lyricism.
De Stijl (De Materie part III)
You’ll be as blown away by the energy of De Stijl as I was if you haven’t heard it before. His music is not always concerned with those fissile social questions, and many of his pieces explore the fundamentals of a listening experience, getting to grips with the raw materials of music. Music to change the world?
Threads collapsed expanded unthreaded. Andriessen’s profound affinity with Stravinsky has produced, as well as refractions of Igor’s techniques in his own idiom, one of the best books ever written about the Russian composer, The Apollonian Clockwork.
Show 25 25 50 All. How can you resist the aggressive lyricism of this music, its moments of gigantic tension and explosive release — such as, for example, the moment when that austere energy created by the four oboes and then the four trombones you hear at the start is suddenly but inevitably shattered by the thrilling wall of sound of the full ensemble? Andriessen fans will want this just to have Dances; others should wait until this work finds issue on disc along with recordings that are less disposable.
This is performed by the ensemble Kaalslag i. De Stijl — Trepidus — Dances is a no-nonsense packaging of three Andriessen works that made their bow between and Although the Attacca disc does not provide a great deal of detail about the origin these recordings, they appear to be live, probably of the premiere performances as captured in Dutch radio broadcasts.
Compositional techniques in Louis Andriessen’s “De Stijl” by Joel Matthys on Prezi
Dances is as appealing and easily accessible a work as one is likely to find among Andriessen ‘s corpus; ajdriessen is easily the highlight of this collection and this is its only recording thus far. How does one connect with, and even change, the other?
Of the two recordings, the Nonesuch is clearly preferable; while the premiere of De Stijl was a good one, this performance is still a bit rough around the edges and the recording perspective is distant, favoring the percussion over everything else. The links are powered by Skimlinks.
De Staat’s politics and unnerving power is only one side of Andriessen’s output. The second, a nun’s vision of her union with Jesus, is a magnificently sensual scena for solo female singer and ensemble called Hadewijch. However, the moment the musical material is ordered it becomes culture and hence a social entity. Even as such, it utilizes features that are readily associated with Andriessenfor example boogie-woogie bass lines, zndriessen saxophones in the manner of Stravinsky ‘s Ebony Concerto, and highly rhythmic and prominent percussion.
A guide to Louis Andriessen’s music | Music | The Guardian
In Andriessen’s own words: Topics Music A guide to contemporary classical music. How you arrange your musical material, the techniques you use and the instruments you score for, are largely determined by your own social circumstances and listening experience, and the availability of financial support. All our journalism is independent and is in no way influenced by any advertiser or commercial initiative.
Drinking Hanging Out In Love. Loading comments… Trouble loading? The piano piece Trepidus, played here by Gerard Bouwhuiscomes off well, but the piece is frankly not one of Andriessen ‘s most inspired ideas, consisting of two outer sections made up of static, dissonant chords and a faster middle section.
Order by newest oldest recommendations. Ditto the fiery moto perpetuo the whole ensemble creates in unison in the middle of the piece, or the waves of strange repeated chords that pass through the music near the end — a weirdly disturbing noise that’s both static yet full anrriessen energy?
Andriessen’s piece includes settings — “declaimings” would really be a better word — for four female voices, which illustrate these ideas. They disrupted concerts given by and at the Concertgebouw, demanding greater representation of new music on Concertgebouw programmes and saying that the orchestra had a duty to represent the whole of Dutch society and not just a small social fraction of it.
The thing is, Andriessen’s music really has changed the music of a state — no Dutch composer has been as influential on musical culture, especially in his home country, as Andriessen, and his importance internationally has only expanded as his career has gone on.
But if there’s one piece of Andriessen’s I want the world to hear, it’s his epic four-part cycle De Materie Material — again, you’ll need Spotify to hear the whole thing. By clicking on an affiliate link, you accept that Skimlinks cookies will be set.
Don’t bet against it, Louis; maybe Plato was right after all ….
The title means The Republic, and this piece is an imagination of what Plato’s Republic means and meant for music; a musical discourse on how his ideas about music might relate to contemporary society. Romantic Evening Sex All Themes. If only it were true that musical innovation could change the laws of the state!
De Stijl forms the third part of Andriessen ‘s trilogy De Materie and is one of his major pieces, written as an homage to Dutch abstractionist and boogie-woogie fancier Piet Mondrian. I deplore the fact that Plato was wrong.